AWARDS / PUBLICATION / EXHIBITION / CASH PRIZE
(25% OFF) EARLY BIRD DISCOUNT
EARLY BIRD ENDS: 1 DECEMBER 2024 | FINAL DEADLINE: 31 JANUARY 2025
BENEFITS
Past judges share the benefits of submitting.
Mikko Takkunen (The New York Times, New York, USA)
Emma Lewis (Curator, TATE Modern, UK)
JUDGES
Have your work seen by some of the most influential industry experts.
JESSICA BAXTER
Assistant Curator (TATE Modern, London, UK)
Jess Baxter is Assistant Curator of International Art at Tate Modern, where she is part of Tate’s Photography Acquisitions Committee. As one of the British Art Network’s Emerging Curators for 2023, she worked on the exhibition A World in Common: Contemporary African Photography, and has curated displays of Deana Lawson, Joel Meyerowitz and Francesca Woodman. Publications include Lieko Shiga (2023) and an upcoming book on medieval and contemporary art practices (2024). She is currently working on Tate’s Leigh Bowery show (opening February 2025).
tate.org
MEAGHAN LOORAM
Director of Photography (The New York Times, New York, USA)
Meaghan Looram is the Director of Photography at The New York Times. She oversees The Times’ photographic coverage, the news organization’s staff of photo editors and staff photographers, as well as many of its most ambitious visual projects. The work Ms. Looram has produced and edited has been awarded honors from World Press Photo, Pictures of the Year International, the George Polk Awards, the Overseas Press Club, the News & Documentary Emmy Awards and the Alfred I DuPont-Columbia Awards.
nytimes.com
ALESSIA GLAVIANO
Head of Global (PhotoVogue, Milan, Italy)
Alessia Glaviano is the Head of Global PhotoVogue and Director of the PhotoVogue Festival. After joining Vogue Italia in 2001 and shaping its visual identity as Visual Director, she transitioned in 2022 to focus solely on leading PhotoVogue. In this role, she collaborates with all Vogue editions worldwide, championing both emerging and established photographers. Under her leadership, PhotoVogue has become an industry-leading platform. Glaviano also oversees the PhotoVogue Festival, the first conscious fashion photography festival. She regularly lectures at top institutions and serves on juries for major international photography awards.
vogue.com
SHANA LOPES
Assistant Curator of Photography (San Francisco Museum of Modern Art, San Francisco, U.S.A)
Shana Lopes is the Assistant Curator of Photography at the San Francisco Museum of Modern Art (SFMOMA). She has extensive experience in the field, including roles as the Jane and Morgan Whitney Fellow and Research Assistant in the Department of Photographs at The Metropolitan Museum of Art. Shana has also held research fellowships with the Andrew W. Mellon Foundation at Rutgers University and the Consortium for the History of Science, Technology, and Medicine. Her academic and professional expertise focuses on photography's history and curation across prestigious institutions.
sfmoma.org
MICHAEL FAMIGHETTI
Editor (Aperture Magazine, New York, U.S.A)
In addition to editing Aperture magazine, Famighetti commissions and edits books for Aperture Foundation. He is a visiting critic at Yale University School of Art and works as a mentor. His writing has appeared in Frieze, Bookforum, Aperture, among other publications. He is a member of the American Society of Magazine Editors and has been a guest reviewer and speaker at many international festivals and institutions, including the Museum of Modern Art, New York; Vogue Italia among others.
aperture.org
ALEJANDRO ACÍN
Festival Director (Bristol Photo Festival, Bristol, U.K)
Alejandro is the founder-director of IC Visual Lab (ICVL), an independent photography platform leading the second edition of the Bristol Photo Festival. Through ICVL, he has worked on curatorial and publishing projects with institutions such as Bristol Museums, Arnolfini Gallery, and international festivals like Getxophoto and Photo Kathmandu, supported by Arts Council England and the British Council. Alejandro also manages historic archives, including the Historical Photographs of China, the Martin Parr Foundation library, and the British Empire & Commonwealth Collection. Additionally, he is an Associate Lecturer for the MA Photography programme at the University of South Wales.
bristolphotofestival.org
MICHAEL WEIR
Director (Belfast Photo Festival, Belfast, UK / IRELAND)
Michael has been Director of the Belfast Photo Festival since 2009 and initiated as well as curated numerous commissions on exhibitions of contemporary art with a particular focus on photography. He curates a varied programme of artist talks, symposiums, residencies, workshops, films and exhibitions per year, which has previously included artists such as Ai Wei Wei, Alec Soth, Roger Ballen and Robert Mapplethorpe. He nominates and judges for a number of international awards, including the ICP Infinity Awards (New York) and SIFEST (Bologna), as well as reviews internationally.
belfastphotofestival.com
Past & Present Judges Include:
INTERNATIONAL PRESS EXPOSURE
Each year our Open Submission award-winners receive vast international press coverage from publications and media outlets around the world. Winners, finalists and entrants have been featured in major publications such as, The Guardian, TIME Lightbox, Foam, The Financial Times, British Journal of Photography, The Telegraph, among many other national and international outlets. This kind of press exposure can lead to viral, global recognition of your work.
AWARDS / PUBLICATION / EXHIBITION / CASH PRIZE
DEADLINE: 31ST JANUARY 2025
-
2025 OPEN SUBMISSION
DEADLINE: 31st JANUARY 2025
SUBMISSIONS: EARLY BIRD €23 (est £19) / STANDARD €29 (est £25)
-
THEME
The theme for the 2025 Open Submission has been left open to interpretation, therefore removing any restrictions in regards to theme, concept or approach of a photographer or artist’s work.
-
JURY
Jessica Baxter - Assistant Curator (TATE Modern, London, U.K.)
Meaghan Looram - Director of Photography (The New York Times, New York, USA)
Alessia Glaviano - Head of Global (PhotoVogue, Milan, Italy)
Shana Lopes - Assistant Curator of Photography (San Francisco Museum of Modern Art, San Francisco, U.S.A)
Michael Famighetti - Editor (Aperture Magazine, New York, U.S.A)
Alejandro Acín - Festival Director (Bristol Photo Festival, Bristol, U.K)
Michael Weir - Director (Belfast Photo Festival, Belfast, U.K.)
-
WHO CAN ENTER?
Entry is open to all photographers, artists, curators, archives, collectives from anywhere in the world.
Applicants must be Age 16 and over at date of entry.
-
HOW MANY IMAGES CAN I SUBMIT?
A non-refundable fee of €23 / €29 is payable on submission of up to 15 images. Images may be considered as a sequence or individually.
Entrants are welcome to make more than one application but the non-refundable €23 / €29 will be payable for each additional submission of up to 15 images.
-
HOW CAN I ENTER?
Belfast Photo Festival works with Picter to provide an online platform for your submissions. Applications can be made by visiting the Belfast Photo Festival Open Submission page on the Picter website. Please follow all the instructions to successfully submit your work.
Payments are paid through Picter via the Stripe system.
If you are unable to make payments via Stripe, alternative options maybe available by contacting: info@belfastphotofestival.com
All submission fees will be charged in aid of Belfast Photo Festival, its overheads, exhibition materials and promotion of the 2025 festival. Belfast Photo Festival is a charity registered in Northern Ireland with number NIC102819.
-
SUCCESSFUL AND WINNING ENTRIES
Successful entrants will be selected and notified by e-mail in 2025 with further information. The judges decision on successful entrants is final.
The final method of production and display of each photographer’s work is at the discretion of the Belfast Photo Festival. Photographers must provide, upon request, timely access to exhibition quality digital files, further project and biographic information.
Photobook entrants must cover shipping costs and logistics to ensure a copy arrives with the Festival team in a timely manner.
A list of selected applications and awardees will be published on the Belfast Photo Festival and Picter websites in the lead into the 2025 festival.
Belfast Photo Festival is unable to contact unsuccessful applicants directly.
-
OPEN SUBMISSION, TERMS, CONDITIONS OF USE AND WEB APPLICATION RULES
BELFAST PHOTO FESTIVAL AIMS TO PROTECT THE IMAGE RIGHTS OF PHOTOGRAPHERS
These terms and conditions of use constitute an agreement between you ("the applicant") and Belfast Photo Festival ("the Festival", "we" OR "our")
READ THIS AGREEMENT IN ITS ENTIRETY BEFORE YOU CONTINUE TO YOUR SUBMISSION OR UPLOAD ANY IMAGE. BY SUBMITTING TO THE OPEN SUBMISSION YOU AGREE TO BE BOUND BY THE TERMS AND CONDITIONS OF THIS AGREEMENT. IF YOU DO NOT AGREE, DO NOT CONTINUE YOUR SUBMISSION.
-
TERMS
All applications must be received by 11:59pm (GMT), 31st January 2025. Applications received after this time cannot be considered. Selected artists will be contacted by early April 2025.
The public dates of the Festival are 5th - 30th June 2025. (Festival launch on the 5th June). Some exhibition dates may be longer depending on exhibition venue.
The installation of the Open Submission Exhibition will be assisted and overseen by the Belfast Photo Festival team with involvement of the artist where relevant. The method of production and display of each photographer's work is at the discretion of the Belfast Photo Festival.
If required and subject to availability of work, the applicant agrees to supply all photo-books selected for exhibition, printed and professionally presented ready for public display.
The applicant agrees to insure the requested photo-books are suitably packaged and reach the Belfast Photo Festival by 24th May 2025, ready for display (if applicable).
You agree to your selected prints/photo-books being taken on tour with the 2025 Open Submission Exhibition and to supplying high-resolution digital files of the submitted images for the Belfast Photo Festival to produce the photographs for outdoor exhibition/presentation during the festival period.
-
SUBMISSION FEES
Entry for a single Project/Body of Work/Photo-book application is subject to a non-refundable fee of €23 or €29 (Early Bird: 3rd October - 1st December 2024) to be paid on submission. Entrants are welcome to make more than one application but the non-refundable €23 or €29 will be payable for each application.
The submission fee charged is in aid of the 2025 Belfast Photo Festival and directly contributes to the organisation and delivery of the Festival for the benefit of all participants. Belfast Photo Festival is a non-profit and charitable organisation.
Company No: NI629769
Charity Registration No: 102819
-
ENTRY
All entries to the Open Submission must be made via our online submission platform produced in collaboration with Picter. All marked fields must be completed as instructed. Payment must be completed or submission will not be accepted.
-
THIRD PARTY RELEASES
For all submissions: If the photograph contains any material or elements that are not owned by the applicant and/or that are subject to the rights of third parties' and/or if any persons appear in the photograph, the applicant is responsible for obtaining any and all releases and consents if necessary to permit the publication, exhibition and use of the photograph.
Submitting photographers agree that they created the Work(s) and/or that they are authorised to use the Work(s) as submitted, co-authors and as relevant original sources should be referenced or credited and that our use of the Work(s) for exhibition and PR will not infringe on third party's copyright or other rights.
-
IMAGE RELEASE FOR PUBLICITY
All selected entries may be published by Belfast Photo Festival or affiliated Sponsors/Funders and Partners (the "Authorised Parties") in magazines or books, on websites, or in any other medium, at Authorised Parties discretion. Such use will be restricted to promotion, publicity, news, or informational education or awareness usage of Belfast Photo Festival.
By participating, all selected applicants grant Belfast Photo Festival and its Authorised Parties usage of images and acknowledge that any Festival and Authorised Party may use the entries and a name credit in any media before, during and after, without restriction in relation to the uses stated above. The Belfast Photo Festival and Authorised Parties will not be required to pay any additional consideration or seek any additional approval in connection with such use.
Belfast Photo Festival is not responsible for any problems with or technical malfunction of any telephone, computer online systems, servers or providers, computer equipment, software, failure of any online entry to be received on account of technical problems, human errors of any kind, or any combination.
-
CONDITIONS
Applicants agree to be bound by these Official Rules;
The decision of the Belfast Photo festival selection panel is final
Belfast Photo Festival may use selected photographs, artist name, text context, biography and photography in any publicity or advertising relating to the Festival or future promotions without compensation or approval.
Entries are void if the Festival determines the entry to not be original or referenced, or if the entries are illegible, incomplete, damaged, irregular, altered, counterfeit, produced in error or obtained through fraud or theft.
The Festival reserves the right to refuse work for exhibition/presentation if it does not meet the expected print quality of production and presentation for the Festival.
In the event that a selected applicant wins any Belfast Photo Festival related prize then is found ineligible or refuses the prize, the prize will be forfeited and the Organisers may choose whether to award the prize to another entrant.
The Festival reserves the right to amend or extend the submission deadline at their sole discretion. Should this be the case, details will be posted via the Festival and Picter website.
-
RIGHT TO CANCEL
Belfast Photo Festival reserves the right to cancel scheduled exhibitions or events if the application, in any way, is perceived to have brought the Festival into disrepute. If for any reason the selected applicant is not capable of exhibiting as planned, they should wherever possible give Belfast Photo Festival at least 2 months’ notice prior to the Festival launch in June 2025.
-
COPYRIGHT
At no point does Belfast Photo Festival require artists to sign over the copyright of their work and therefore artists retain all copyrights to their work at all times. However, by submitting their works the artist agrees that Belfast Photo Festival and it’s affiliated Sponsors/Funders and Partners can use their works in magazines or books, on websites, social media platforms and Belfast Photo Festival newsletters, or in any other medium, at ‘Authorised Parties' discretion. Artists and photographers will be credited for their works.
-
PRIVACY POLICY
For any information regarding Picter and Belfast Photo Festival privacy policies and how they are in compliance with GDPR, please see the following links: